Naturally that meant making period costumes! Unfortunately, our budget did not include buying an authentic pattern. Our Art Director, Carol decided to make the skirt and underskirt, so I could concentrate on the more visible in the film blouse. First thing to do was go through my supplies. I had this really pretty wide lace that I found right off and really wanted to use. I also found some other narrow laces, but those didn't end up working out. Carol found me some white calico at Joann.
Next was to come up with a style. These were my inspiration images found searching Pinterest.
I really liked the lines of this first one, and tried to replicate them as close as a could with the base pattern I had on hand. And the second one below gave me the idea of what to do with the lace. And also that the sleeves didn't have to be super full.
And here's the pattern I used for the bodice and neckband. I raised the neckband two inches, and put a single line of gathering at the waist in the front and center back similar to the first inspiration image. For the sleeves, I used Sense & Sensibility's Regency dress sleeves with the extra fullness option. Before sewing the sleeves to the bodice I pulled up the gathering stitches, tied them in place, then based the lace over them. I was trying to give the sleeves the appearance of being fuller than they really were. But it didn't really work.
So I bet you're ready to see my finished product now right? Well, let me warn you that it is by no means an authentic representation. Sorry to burst your bubble. Zack says that any historical discrepancies can be attributed to Jasper's lack of research into the time period. I can go with that! Also, I did not do the final ironing of the blouse. If I had, there would not have been creases on the sleeves.
Rachel Winslow (Laura Seabrook) & Jasper Chase (Samuel Carr). Photo by Mary Roe. |
Photo by Mary Roe. |
Photo by Mary Roe |
Photo by Mary Roe |
No comments:
Post a Comment